Cripple Creek Ferry

A while back I kinda really liked Neil Young's second (or third?) album, After the Gold Rush..



It's a real peculiar album, even peculiar in why it's peculiar, cuz it is, after all, kinda conventional (I guess?) It's a strange sort of somber. It's slow, but not in that complacent way, rather slow but still going strong. It's mighty pretty, but it doesn't connect like it is, cold-like.

Now I'm not saying all this as if it's a bad thing, I'm saying it like it's an interesting thing. But there is one song which continually hits me, viscerally, the "you feel no pain" kind of hit Marley's talking about, Cripple Creek Ferry. I think the only way I can accurately describe it is, it's like the Beatles wrote it. You know how the Beatles basically do no wrong and you don't even question it at some point? Where just about every album they did is among your all-time favorites but you don't even need to include them cuz it goes without saying?

Yeah, I feel like the Beatles wrote Cripple Creek Ferry. It does no wrong you see--I can always sing along. It grooves. Slowly, but it grooves. I've munched it up 22 times over a couple of weeks, in 5-6 song bursts I think. You should partake instantly.

Don't Think Twice, It's All Right - Bob Dylan (1963)

It ain’t no use to sit and wonder why, babe
It don’t matter, anyhow
An’ it ain’t no use to sit and wonder why, babe
If you don’t know by now
When your rooster crows at the break of dawn
Look out your window and I’ll be gone
You’re the reason I’m trav’lin’ on
Don’t think twice, it’s all right

It ain’t no use in turnin’ on your light, babe
That light I never knowed
An’ it ain’t no use in turnin’ on your light, babe
I’m on the dark side of the road
Still I wish there was somethin’ you would do or say
To try and make me change my mind and stay
We never did too much talkin’ anyway
So don’t think twice, it’s all right

It ain’t no use in callin’ out my name, gal
Like you never did before
It ain’t no use in callin’ out my name, gal
I can’t hear you anymore
I’m a-thinkin’ and a-wond’rin’ all the way down the road
I once loved a woman, a child I’m told
I give her my heart but she wanted my soul
But don’t think twice, it’s all right

I’m walkin’ down that long, lonesome road, babe
Where I’m bound, I can’t tell
But goodbye’s too good a word, gal
So I’ll just say fare thee well
I ain’t sayin’ you treated me unkind
You could have done better but I don’t mind
You just kinda wasted my precious time
But don’t think twice, it’s all right

Joni Mitchell

Yes. End of story.

I recently re-discovered Blue (1971), her fourth album, after admittingly not understanding it in high school. Its forte is a classically-grounded melodic and harmonic know-how to put poetry to music. It's even bouncy at times!

So, excited about Joni as I was, I got Court and Spark (1974), her sixth album, and listened to it today. It's too interesting not to mention. Of course I can't make any sort of real judgment after just one listen (especially given an artist of her depth), but I can say for certain that it's a weird kind of musics that sounds smooth, efficient, and meaningful. "Jazz folk-rock," Wikipedia calls it.

I hear she's got other great albums. I'm not surprised. GO BUY SOME. Or pirate them, I don't give a shit. Click on her lovely face to get a list of all her releases (in a new window, or in a new tab if your browser has them).