Tuesday, July 21, 2009
Monday, July 20, 2009
Help - Thee Oh Sees (2009)
okay. i admit it. i'm obsessed with this album, not just the album art:
originally, i simply wrote, "another quick, short post. what i imagine when i think about good and fun psychedelic rock: a purple smiling bat that can magically make rainbow arcs squiggle."
i tried to reduce my love for this album to its album art. let me try again: in less than a month, this has become one of my favorite albums of the year.
it's grungy. it's one of the dirtiest albums i've listened to in a long time. the drums are simple, but they provide a perfect backbone to the swampy, distorted humming of the guitar. i can't tell if the vocals have tons of effects put on them, or this guy just sings like a maniac, but i'm at last sure the reverb is out of control. it's like he's singing for a football stadium inside a garage. which brings me to my next point.
it's psychedelic. this guy sings like a retarded angel shaman, or something. i don't know how else to describe it. his voice is high-pitched and harmonious and wonderful, but it's also kind of whiny and just plain weird. beyond the vocals, this will FEEL just like good old rock & roll, nothing psychedelic at all. and yet, there is something in the sound that i think you will find makes it teem with rainbow sparkles and talking purple bats coming out of walls.
it's fun. all i want to do when i listen to this record is get off my goddamn chair and jump around. it's not particularly danceable, it's not what you'd call headbanging music, but i can't stop myself from dancing and headbanging to it.
ambiguous descriptions of a few tracks (which can all be listened to fully and freely here):
electric guitar and bass guitar wind, wind, wind, wind in the first three seconds and then, suddenly, the album blasts off with "Enemy Destruct." drums splashing, maybe some tambourine, and the singing comes in, trippy, like we just got dropped off on the peak of an acid trip.
the second song, "Ruby Go Home," is my favorite on the album, but i don't know why. it starts off relatively simply, with some basic guitar riff, basic drum thrashing, etc etc. the verse involves all sorts of nonsense and the phrase "ruby go home!" the chorus involves a bunch of oh!s and "ruby go home!" the bridge involves repetition of "ruby go home!" there's nothing inherently special about this song. but the band sinks into this moment, this glowing red moment, and they just feel it. they sit there and rock and rock and rock. the moment doesn't end. the guitarist starts fucking around a little bit, nothing fancy, nothing to suck us out of the moment, nothing extraordinary, just more rocking out. and it's catchy, too.
what the hell is that sound at the beginning of "Meat Step Lively?" i have no fucking clue, but it sounds like a baby guitar crying. more rocking out, more living in the moment. except halfway through this one, a wind instrument comes out of nowhere. somebody's blowing on a flute or something, transforming what just sounded like acid-tripped-out Kinks into the pop version of King Crimson or something.
the sixth track, "Can You See," definitely reminds me of something i've heard before. the way it swings back and forth like a pendulum. no, more like a crowd at a show. it's like swaying, not swinging. the bass does it. do do do.......do...do do do......do... and so on.
unfortunately, (for me) the album sort of tapers off towards the middle after an explosive first half, barring one song:
"Destroyed Fortress Reappears" is my second favorite song on the album. this is where the vocal reverbs go nuts. for five minutes he just chants like a high priest over this snare drum march and simple bass/guitar strumming, highlighted with this awfully catchy hook every so often.
i'll admit. the first time i listened to this record i was baked out of mind. i was sitting on a couch in my friend's apartment in the mission, facing one of two tower speakers bellowing out the cool tunes. i really couldn't speak, but i periodically checked with other people to make sure they thought the music we were listening to was as good as i kept thinking. i think i downloaded it the next day.
then a few weeks later, a couple days ago, i went to a bar to see them live for $7. seven bucks! well, not counting beers. but the show was outstanding. short, maybe. but they've only got two albums and each one is full of 1-3min tracks. i expected people to enjoy the show but not rock the fuck out like they did. we were practically moshing. they played "Ruby Go Home" thank god. and i'm pretty damn sure they played it twice as long, illustrating my point that the band has found an inescapably savory moment in that song.
this is good fucking rock & roll, plain and simple.
listen to whole thing here.
originally, i simply wrote, "another quick, short post. what i imagine when i think about good and fun psychedelic rock: a purple smiling bat that can magically make rainbow arcs squiggle."
i tried to reduce my love for this album to its album art. let me try again: in less than a month, this has become one of my favorite albums of the year.
it's grungy. it's one of the dirtiest albums i've listened to in a long time. the drums are simple, but they provide a perfect backbone to the swampy, distorted humming of the guitar. i can't tell if the vocals have tons of effects put on them, or this guy just sings like a maniac, but i'm at last sure the reverb is out of control. it's like he's singing for a football stadium inside a garage. which brings me to my next point.
it's psychedelic. this guy sings like a retarded angel shaman, or something. i don't know how else to describe it. his voice is high-pitched and harmonious and wonderful, but it's also kind of whiny and just plain weird. beyond the vocals, this will FEEL just like good old rock & roll, nothing psychedelic at all. and yet, there is something in the sound that i think you will find makes it teem with rainbow sparkles and talking purple bats coming out of walls.
it's fun. all i want to do when i listen to this record is get off my goddamn chair and jump around. it's not particularly danceable, it's not what you'd call headbanging music, but i can't stop myself from dancing and headbanging to it.
ambiguous descriptions of a few tracks (which can all be listened to fully and freely here):
electric guitar and bass guitar wind, wind, wind, wind in the first three seconds and then, suddenly, the album blasts off with "Enemy Destruct." drums splashing, maybe some tambourine, and the singing comes in, trippy, like we just got dropped off on the peak of an acid trip.
the second song, "Ruby Go Home," is my favorite on the album, but i don't know why. it starts off relatively simply, with some basic guitar riff, basic drum thrashing, etc etc. the verse involves all sorts of nonsense and the phrase "ruby go home!" the chorus involves a bunch of oh!s and "ruby go home!" the bridge involves repetition of "ruby go home!" there's nothing inherently special about this song. but the band sinks into this moment, this glowing red moment, and they just feel it. they sit there and rock and rock and rock. the moment doesn't end. the guitarist starts fucking around a little bit, nothing fancy, nothing to suck us out of the moment, nothing extraordinary, just more rocking out. and it's catchy, too.
what the hell is that sound at the beginning of "Meat Step Lively?" i have no fucking clue, but it sounds like a baby guitar crying. more rocking out, more living in the moment. except halfway through this one, a wind instrument comes out of nowhere. somebody's blowing on a flute or something, transforming what just sounded like acid-tripped-out Kinks into the pop version of King Crimson or something.
the sixth track, "Can You See," definitely reminds me of something i've heard before. the way it swings back and forth like a pendulum. no, more like a crowd at a show. it's like swaying, not swinging. the bass does it. do do do.......do...do do do......do... and so on.
unfortunately, (for me) the album sort of tapers off towards the middle after an explosive first half, barring one song:
"Destroyed Fortress Reappears" is my second favorite song on the album. this is where the vocal reverbs go nuts. for five minutes he just chants like a high priest over this snare drum march and simple bass/guitar strumming, highlighted with this awfully catchy hook every so often.
i'll admit. the first time i listened to this record i was baked out of mind. i was sitting on a couch in my friend's apartment in the mission, facing one of two tower speakers bellowing out the cool tunes. i really couldn't speak, but i periodically checked with other people to make sure they thought the music we were listening to was as good as i kept thinking. i think i downloaded it the next day.
then a few weeks later, a couple days ago, i went to a bar to see them live for $7. seven bucks! well, not counting beers. but the show was outstanding. short, maybe. but they've only got two albums and each one is full of 1-3min tracks. i expected people to enjoy the show but not rock the fuck out like they did. we were practically moshing. they played "Ruby Go Home" thank god. and i'm pretty damn sure they played it twice as long, illustrating my point that the band has found an inescapably savory moment in that song.
this is good fucking rock & roll, plain and simple.
listen to whole thing here.
Saturday, July 18, 2009
Fishmans-Long Season
Last night, i went to a farwell party put on for me, by my music club I am a part of over here in Japan. My good friend who is in the club who speaks very decent english, gave me this cd as a thank you/goodbye present. As she gave it to me, she mentioned that the members of the band used to go to our college, and were a part of the same circle we were all in. I also recieved another cd by a more current group that had recently graduated.
Anyways, this cd is excellent from the first listen. even though I hate it I will go for it: if Can made a band Air, had a japanese girl singer at times, and were super mellow and driving. Its a stretch I know, and rather pointless, but go for that idea, maybe. This mini-lp, as its called, is one 35.2 minute track split up into five parts, but never truly stops. Its got great mellow but moving basslines, upbeat up simple drumming, athmospheric singing at times, sweepingly simple accordians, and tactfull guitars. There are also some bells and pianos in there. and some quiet spoken words. The layers pile up at times, but its great. A guitar part that is minmally used in part one is brought to the front more, in part 5, and a little in almost every part actually. besides that, its a fun ride. long delays on the vocals, and lost of echo on everything. this album will fill the entire room. its got that warm feeling to it.
i'd recommend listening to it at night in the car. or on the cpu while working or surfing the inetrnet. but then again, thats how I listen to all of my music, so who knows when you will like it best. I feel as if the album could be twice as long and just as interesting, but thats just me. I love the cover of the album, and that they dont look so serious, and that they are in the woods.
music love from a friend in japan. please enjoy.
http://www.mediafire.com/?wdj30mynemw
Anyways, this cd is excellent from the first listen. even though I hate it I will go for it: if Can made a band Air, had a japanese girl singer at times, and were super mellow and driving. Its a stretch I know, and rather pointless, but go for that idea, maybe. This mini-lp, as its called, is one 35.2 minute track split up into five parts, but never truly stops. Its got great mellow but moving basslines, upbeat up simple drumming, athmospheric singing at times, sweepingly simple accordians, and tactfull guitars. There are also some bells and pianos in there. and some quiet spoken words. The layers pile up at times, but its great. A guitar part that is minmally used in part one is brought to the front more, in part 5, and a little in almost every part actually. besides that, its a fun ride. long delays on the vocals, and lost of echo on everything. this album will fill the entire room. its got that warm feeling to it.
i'd recommend listening to it at night in the car. or on the cpu while working or surfing the inetrnet. but then again, thats how I listen to all of my music, so who knows when you will like it best. I feel as if the album could be twice as long and just as interesting, but thats just me. I love the cover of the album, and that they dont look so serious, and that they are in the woods.
music love from a friend in japan. please enjoy.
http://www.mediafire.com/?wdj30mynemw
Tuesday, July 14, 2009
Gangsta Gangsta - N.W.A. (1988)
"We don't Just Say No, we too busy saying YEAH." -- Ice Cube
If Ice Cube's not a role model, I don't know who the hell is.
If Ice Cube's not a role model, I don't know who the hell is.
Sunday, July 12, 2009
Belle and Sebastian
its summertime here in japan. the rain has for the most part stopped. the humidity is.... well slightly less than its soup-iness of months past. and its time to listen to belle and sebastian again.
i have a love hate relationship with this band. I am sorry to admit that, but i can only listen to this band when i really feel like being a bright sun-shinny individual. other times, i just find the stuart's voice annoying and it silly pop music. i know this is truly telling you more about me than the music, but I cannot describe how good it feels to walk to school, in the warm sun, and to hear this band in my ears. I just randomly started thinking about this band on the way to school. some song of 'the life pursuit' and i hadn't listened to it in about 7 months. and it felt so fresh and new and warm and happy and oh my goodness it felt so good.
me: "i really feel like listening to the life pursuit today"
tori (smirking and with great half serious disdain):" its ALWAYS the life pursuit in my car..."
what else needs to be said. its making me dream of love and beautiful girls. for some reason this music and them are one in the same in my mind. thank you summer. thank you stuart.
i have a love hate relationship with this band. I am sorry to admit that, but i can only listen to this band when i really feel like being a bright sun-shinny individual. other times, i just find the stuart's voice annoying and it silly pop music. i know this is truly telling you more about me than the music, but I cannot describe how good it feels to walk to school, in the warm sun, and to hear this band in my ears. I just randomly started thinking about this band on the way to school. some song of 'the life pursuit' and i hadn't listened to it in about 7 months. and it felt so fresh and new and warm and happy and oh my goodness it felt so good.
me: "i really feel like listening to the life pursuit today"
tori (smirking and with great half serious disdain):" its ALWAYS the life pursuit in my car..."
what else needs to be said. its making me dream of love and beautiful girls. for some reason this music and them are one in the same in my mind. thank you summer. thank you stuart.
Tuesday, July 7, 2009
Stayin' Alive - Bee Gees (1977)
i know it's all about Michael Jackson right now, but here's a dance song i guarantee you haven't forgotten:
before The Field, before Daft Punk, before Michael Jackson, these guys mastered the art of repetition.
lay down a bass drum, thump it, 1. 2. 3. 4. add some hi-hat to the mix for some extra clicks. next, slurp out an irresistible bassline, sidewinding around the four-on-the-floor kicks. it's getting real dancey. then you hit the synths, caressing the keys, remembering this isn't about dominating the song, just keeping it rolling, keeping it fresh. maybe some strings here and there. finally, lay down the vocal track, smooth, funky, rocking, spiraling, spinning, dizzy, and real cool. nothing wild, just simple, to the point, sweet, and beautiful.
then the genius.
repeat. repeat. repeat. repeat. repeat. repeat. repeat. repeat.
anybody who writes a good dance song knows that the key is simplicity and repetition. listen to "Thriller." listen to "One More Time." listen to "Stayin' Alive." ah, you've heard 'em all before...
download or buy
before The Field, before Daft Punk, before Michael Jackson, these guys mastered the art of repetition.
lay down a bass drum, thump it, 1. 2. 3. 4. add some hi-hat to the mix for some extra clicks. next, slurp out an irresistible bassline, sidewinding around the four-on-the-floor kicks. it's getting real dancey. then you hit the synths, caressing the keys, remembering this isn't about dominating the song, just keeping it rolling, keeping it fresh. maybe some strings here and there. finally, lay down the vocal track, smooth, funky, rocking, spiraling, spinning, dizzy, and real cool. nothing wild, just simple, to the point, sweet, and beautiful.
then the genius.
repeat. repeat. repeat. repeat. repeat. repeat. repeat. repeat.
anybody who writes a good dance song knows that the key is simplicity and repetition. listen to "Thriller." listen to "One More Time." listen to "Stayin' Alive." ah, you've heard 'em all before...
download or buy
Saturday, July 4, 2009
Merriweather Post Pavilion Art
I am in love with color, and lots of it, solely because of Animal collective and their recent album, Merriweather Post Pavilion.
first there is the eye tantalizing cover
then their is their first video for 'My Girls'
and then there is the first single for 'Summertime Clothes'. I could stare at this for hours.
and then there is the video for 'Summertime Clothes' with many dancers, balls of light, excellent textiles, and of course colorful light!
I must admit, that the sounds and colors of this album are so complementing. a full frontal on your ears and eyes. if only I could get to one of their shows these days :(
first there is the eye tantalizing cover
then their is their first video for 'My Girls'
and then there is the first single for 'Summertime Clothes'. I could stare at this for hours.
and then there is the video for 'Summertime Clothes' with many dancers, balls of light, excellent textiles, and of course colorful light!
I must admit, that the sounds and colors of this album are so complementing. a full frontal on your ears and eyes. if only I could get to one of their shows these days :(
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